Artists Changing How We See
In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.
The book explores Deana Lawson’s disarmingly intimate portraits, Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, Khalil Joseph’s films, Dawoud Bey’s photographs, and the embodied and multimedia artistic practices of Okwui Okpakwasili, Simone Leigh, and Luke Willis Thompson.
Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering—and joy—of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness.
These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.